Friday, September 12, 2014

Iceland livens up

Jón Frímann points to an interesting pattern of earthquakes around the caldera at Bardarbunga, suggesting that the volcano might be getting ready to erupt.

Icelandic Met Office.

It is hard to tell from the webcams, since Bardarbunga 2 is shaking too much. This may be bad weather - except that the weather shown at the first camera shows that it is clear on the left, suggesting that there is a lot more ash being thrown into the air. So this may be a more significant eruption already, due to the ash cloud.

Bardarbunga web cam at 10:43 am 12th Sept.

UPDATE: The increasing concern comes from the clouds of SO2 that are being emitted from the craters. This poses threats, not only to those in Iceland, but also potentially to some in Northern Europe. The smell of sulphur is now being detected in Norway. The latest path for the gases has been posted:


Figure 3. Path of the gas cloud from Iceland.(RUV )

The Icelandic Met Office is now issuing bulletins in English as well as Icelandic.

More later.

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Tuesday, September 9, 2014

Waterjetting 25a - choosing jet parameters for range.

The range over which a waterjet is able to cut material can widely quite significantly, depending on a wide range of factors, including abrasive content. An earlier post described the way in which students in a waterjet class were shown some of the difficulties in assessing risks arising from the use of a waterjet, and the range over which it was dangerous. Simplistically the students first cut along a plywood panel to see how far from the nozzle the jet would remove wood.


Figure 1. By slightly tilting the 4-ft wide panel and then having students move the jet past the board along the left-hand edge, a measure of the range of the jet could be obtained.

However, after the students had decided that, for the 10,000 psi 0.03-inch diameter jet, the cutting range was about ¾ of the way across the width (i.e. 3 ft) they were then tasked to pass the jet, as fast as they could, over a piece of pork that was at least a foot further away from where they estimated the distance that the jet stopped cutting.


Figure 2. A piece of pork after being “sliced” by a 10,000 psi waterjet.

The pork was typically cut to a depth of over an inch, grooving into the bone at a distance that the student had previously decided was “safe.” It was pointed out to the class that the pork was a good simulator for human flesh.

The point of the demonstration was fairly obvious, but it does highlight that the distance at which a jet stops cutting one material because of insufficient energy, may still be quite a distance closer than that critical distance for other softer materials.

In one of the earlier scientific papers on waterjet cutting Leach and Walker plotted the drop in jet pressure from two different nozzle shapes, against the distance from the nozzle.


Figure 3. Decline in jet pressure with distance from the nozzle (Leach and Walker)

With poorer nozzle designs and in cutting many harder materials the critical distance at which the jet pressure falls below half the original pressure, and thus in many materials stops cutting, is at around 125 nozzle diameters. For a 0.03-inch diameter jet, cutting a distance of 36 inches takes the range to 1,200 diameters. And while that range is partly because we have significantly improved the fluid flow into the nozzle it relates, as noted, also to the strength of the material being cut.

One reason to mention this is that I have seen, both in photos and real life, people foolish enough to hold their hands in front of a 40,000 psi waterjet, as an illustration of the safety of the tool at even a short range. (Typically they were using jets of around 0.006 inches diameter with the hand about a foot from the nozzle). A slight increase in nozzle diameter, undetected by the operator, or a change in fluid content (such as by adding a long-chain polymer (such as Superwater) could extend the range of the jet several-fold, so that the unsuspecting operator might lose several fingers before realizing the change in conditions.

An earlier post described the work of Clark Barker and Bruce Selberg, who demonstrated that an increase in polish of the inner surfaces and a smooth transition path into the orifice could extend the cutting range of a jet in harder materials from 125 diameters to over 2,000.

Achieving a smooth flow path to the orifice is critical to superior performance, though – as I have mentioned before – it was at one time surprising to me how many contractors did not even have the nozzle insert mating with the end of the supply pipe. Rather, with the nozzle insert held in a holder, they just turned the latter until it was tight, not always achieving contact between the back of the nozzle insert and the pipe. In addition there have been many cases I have seen where the nozzle insert inlet diameter differs from that of the internal diameter of the connecting pipe Again this will interfere with performance away from the nozzle.

Assuming, however, that one has stabilized the flow into the nozzle, and that it is of the right shape, how can one increase the jet throw distance further? The obvious, and wrong, answer is to up the pressure that is driving the jet.

Why is this the wrong answer? Well, if one considers what happens when a jet shoots out into the air, as one can see in a high-speed flash photograph:


Figure 4. Flash photograph (exposure at about one-millionth of a second) of a high speed waterjet showing the structure.

As the jet travels through the air, so the relatively stationary air around the jet strips off, and decelerates, the jet in layers starting from the outside. These show up as backward pointing stringers flowing out from the main jet stream. As the outer layers are peeled off (as with stripping the layers from an onion) so the remaining diameter gets less until, as in the picture above, there is no jet left.

Consider that with a higher driving pressure that there is a greater differential between the air speed and that of the jet, and obviously the stripping action will occur more rapidly, reducing the overall range of the jet.

Now consider if, instead of putting that additional power into pressure/jet velocity one were, instead to put it into additional flow. Then there are more layers of the jet to strip away, and the differential is not as great. As a result, when one compares the performance of two jets one gets:


Figure 5. Comparing the performance of two jets.

Notice in this case that relatively close to the nozzle the two jets, cut to roughly the same depth, and in this range the higher pressure, smaller jet has advantages in that the thrust it applies to the holding tool is less, and the total amount of water used is also less (roughly 4.3 gpm rather than 7.3 gpm). However if one is cutting at a greater standoff distance between the wall and the target, then at about 4 ft from the nozzle (1000 diameters of the larger, 1500 diameters of the smaller) the lower pressured, higher flow rate jet becomes more effective.

This relative change in nozzle effectiveness with pressure and diameter was also reported from results at lower pressure when developing nozles for cutting coal in Germany.


Figure 6. Comparing the pressure profiles of jets at two different diameters and pressures, as a function of distance from the nozzle.(Benedum et al)

Note that here, again, at about 8 m from the nozzles, both jets are producing about the same impact pressure, while closer to the nozzle the smaller (blue line) jet has a better profile (at 0.78 inch diameter, and 1,300 psi) than the larger (black line) jet (at 1-inch diameter, and 1,000 psi). But at greater distances the lower pressure, larger diameter jet becomes more effective.

There is, in short, significant benefit to determining, before one starts, what the objective is and over what range the jet is expected to cut, since both will help decide what set of jet operating conditions will give the better result.

References Leach, S.J., and Walker, G.L., "Some Aspects of Rock Cutting by High Speed Water Jets," Phil. Trans. Royal Society, London, Vol. 260A, pp. 295 - 308.
Barker, C.R. and Selberg, B.P., "Water Jet Nozzle Performance Tests", paper A1, 4th International Symposium on Jet Cutting Technology, Canterbury, UK, April, 1978.
Benedum, W., Harzer, H., and Maurer, H., "The Development and Performance of two Hydromechanical Large Scale workings in the West German Coal Mining Industry," paper J2, Proc. 2nd Int. Symp. Jet Cutting Tech., BHRA.

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Sunday, August 31, 2014

Global oil supply and Bárðarbunga

Some time ago magma started rising in the rocks near the Bárðarbunga volcano in Iceland, and after weeks of increasingly intensified earthquake activity, the first signs of eruption were found to have occurred under thick ice within the last week. These were not that visible to the general public. That eruption was followed by a second, where there were some streamers of magma across the surface, without causing any significant airborne dust to interfere with aircraft.

The delays in dramatic eruption footage, and the early decay in immediate activity has led a number of folk to anticipate that the risk has declined and for some the risks from the eruption are over, with one scientist commenting::
"If this eruption persists it could become a tourist attraction, as it will be relatively safe to approach, although the area is remote,"

Figure 1. The eruption at Bárðarbunga (from the first webcam) at 5:40 pm Aug 31.


Figure 2. The eruption at Bárðarbunga (from the second webcam) at 9:00 pm Aug 31.


The eruption is continuing and will likely continue, and potentially significantly worsen, over the next several months. Yet, in the world of instant highlights, headlines and Twitter the risks from the long-term eruption (which can be horrendously severe) are immediately glossed over as the eruption fails the “dramatic event” test.

This is uncomfortably similar to the situation that one sees when writing about “Peak Oil”. One can, on any individual day, find comforting headlines that tend to gloss over the longer-term problem that is being written, in increasingly large letters on the predictive wall of our future. But that does not hide the potential disaster that it presages, it merely conceals it from the general public.

The headlines are those that are short-term, and deal with the drivers for the daily fluctuations in oil price, rarely do they back off to look at the overall threat that the situation may presage. Similarly the eruption in Iceland looks relatively tranquil at the moment, but may be of a similar nature to that of 1783, which created, over a period of months, an absolute disaster in Europe, and may have been one of the contributing causes to the French Revolution. The problem with the oil crisis is that there is no similar history to look back on. (Not that this would matter to those “editors of the moment” who control the daily press).

If one were to step back from concerns over daily price fluctuations for oil and gasoline, and consider the import of the trend in international politics one could very easily be aghast at the situation. Not that one might tell this from the headlines.

Consider that, of the three international leaders in oil production, one – Russia – is currently set on a course that may well lead the rest of us into World War 3. As a consequence is likely to be unable to attract the financing that will allow it to even approach the current levels of oil production that it need to retain current production levels in the years to come.

The second of the three is Saudi Arabia. Glossing over any problems that the Kingdom may run into in the next couple of years with the terrorism that is sweeping though its neighbors, it is a country that has realized that today’s cornucopia is about over, and it must seriously invest in exploration and development. The KSA recognizes that if it is to have a chance at being able to even meet the bills for domestic consumption, let alone export income, as the years move onward, it must find new oil. Again it would seem that global commentators fail to realize that, while KSA is recognizing the problem, any finds of “elephantine fields” would require huge investments of money and time, given that they are now likely to be off-shore and sour (as with Safaniya and Manifa, even if such fields exist, which is very doubtful).

The Kingdom has repeatedly stated that it will not increase its production over current levels, despite the assumption of many commentators that they will have to, if global balance is to be retained between supply and demand. Put bluntly, their analysts have realized that, without new reserves that are currently still to be found, they will be unlikely to be able to meet even current targets without major new field finds. Yes, they have fields that are found and available, but in relative terms they are tiny when set against the current levels of production. (Bearing in mind that a 5% reduction in production per year from existing fields, a level now increasingly found to be overly optimistic, would still cut existing production by 450 kbd).

And so, gentle readers, as we have so often in the past, we return to prognostications of future American production. This should, realistically, be focused on the production from the USA, since that in Canada is tied to production from the oil sands and that is only likely to change at a slow (one might suggest geological, but that would be a little harsh) time frame.

And in the United States hope continues to focus on an assumed linear increase in production, month on month, from the Bakken and Eagle Ford Shales. That this is denied by even the local authorities (who also note that the Bakken is named after a local farming family). Their current estimate (assuming more than 200 drilling rigs, and there are currently only 192 is that the fields will peak in 2017, and will start to decline in around 2026. The problem with that estimate relates both to the number of rigs employed (which have to be higher) and the quality of the remaining reserve (which is highly unlikely to be of equivalent value to that which is now, or has been, developed in the past.

I would venture into the second tier producers, but they include those that lie in the MENA (such as Iraq and Libya) and are in even worse condition than KSA, and yet, as documented here repeatedly, these states seem increasingly unlikely to meet projections and thus are an ongoing and significant threat to a balance between global production and demand.

The global economy, and particularly the economies of the Western countries, are tied to a cheap source of energy and power – on which their industrial clout is based. Remove that underpinning, and the writing is clear on the wall about this, and current levels cannot be sustained.

But, as with the wish of the press to get “beyond” the “yesterday’s story" of Bárðarbunga, so the reality of the energy situation is unlikely to be recognized until, as with the Iceland volcano. its effects become too evident to ignore.

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Bárdarbunga erupts again

Just a quick note that the eruption has re-started. This is from the Webcam:


Figure 1. Eruption from the webcam at 5:40 pm Eastern, Aug 31 2014.

UPDATE 1 Sept 2014: The Icelandic Met Office has noted that the eruption is producing around 100 cu m.second of lava, which has now travelled more than 3 km at its furthest point.

There is concern that the eruption may extend to the pipe under Bárðarbunga, which may result in an explosive part to the eruption, which has already ejected more material than Eyjafjallajokull. Of more concern
Gas measurements indicate a high level of sulphur dioxide. People could be exposed to highly dangerous gas levels close to the eruption. It is essential that those visiting the eruption site are equipped with gas sensors and gas masks.


No more yet.

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Saturday, August 30, 2014

Waterjetting 24d - Impulse breaking of concrete

The most popular applications of high-pressure water on concrete deal with the removal of dirt and undesired coatings from the surface, or the removal of layers of the immediate surface for repair, hydro-demolition. There is, however, also an application where the concrete has to be removed in its entirety. Most often, this is done with jackhammers, wrecking balls and impact breakers of varying description. And yet, superficially, it might seem that waterjets might play a similar role in breaking the concrete pad into small pieces that can be removed.

There were a number of projects, back in the day when waterjet technology was first being developed, where a number of tools were developed aimed at generating the high-energy pulses that can be used to break the concrete slab. Yet none of them found a niche in the marketplace. It is perhaps instructive to explain what the different tools were, and the reasons why they never fully succeeded.

When waterjet technology was first being developed in the United States and in the UK, many of the devices used to generate the ultra-high pressures relied on the sudden release of large quantities of gas behind relatively small slugs of water in order to create the jet stream. In the extreme this was exemplified by the (then)* UMR water cannon. A 90-mm howitzer had been converted into a waterjet generator, and after filling the barrel with 12 gallons of water, a cartridge with about 4.4 lb of black powder was placed in the breech, and the charge ignited. Pressures of up to 50,000 psi were generated, and the jet drilled holes more than 6 inches deep into limestone test samples.


Figure 1. The UMR* Water cannon

The use of the large volume of water in the cannon was an attempt to overcome one of the disadvantages of similar devices which had been developed at the Safety in Mines Research Establishment in the UK, at IIT Research Institute in Chicago, and by William Cooley at Terraspace. The disadvantage was that, while the initial impact of the jet was at the very high pressure, as the driving gas expanded, so the pressure dropped dramatically, and the pressure in the water fell accordingly.


Figure 2. Pressure pulse from the UMR water cannon

The result was that while the initial impulse would generate a large number of cracks around the impact point in the surface, there was not enough energy in the water slug that followed to grow the cracks to the point that large volumes of rock were broken out.

This was illustrated when Bill Cooley took his water cannon underground to try and drive a tunnel in a limestone mine.


Figure 3. The Cooley cannon in a mine

The cannon generated pressures of up to 500,000 psi, determined by measuring the speed of the leading edge of the water slug as it broke successive pencil leads. Yet the fragments produced were not of great volume, relative to the energy expended.

And yet there was an application that did, for a short while, seem promising, and that was developed in Germany. There are a number of situations in the mining industry where large boulders can get into the transport system, and where the conventional application of a small stick of dynamite can have collateral damage effects that can be expensive. German investigators therefore developed a small tool, where (as with the UMR cannon) a deflagrating cartridge was used to generate the gas behind a slug of water, and this could be driven into the boulder, and split it, without damaging any of the equipment surrounding the rock.


Figure 4. The German impulse boulder breaker


Figure 4b. Schematic of the boulder breaker

An alternative approach was developed by Briggs Technology in Pittsburgh, following a different concept – a line of development that others had also developed (as will be discussed in a late post). Rather than generate a single pulse of very high energy, the concept was to develop a simpler tool that could be rapidly recycled. In this way, while the individual cracks from single impacts would not liberate that much material, by having a series of these it would be possible to get the individual crack patterns to intersect and in this way to break out the concrete pieces. (This is a similar concept to that of an impact breaker, although using water as the impacting device).


Figure 5. Schematic of the Pittsburgh device

Single shot tests of the tool were promising, as were the early tests on slabs of concrete. Unfortunately the high-pressure pulses travelled both ways, and thus the valves and fittings that were necessary to allow the tool to rapidly recycle were also exposed to the high-pressure loading. The materials that were in use at the time, for these parts, was insufficient to give the long-life under the loading cycles that it saw, and as a result the project, unfortunately, never reached the commercial market.

This problem of high-cycle loading is made worse where the pressure is allowed to decay back to ambient pressure between cycles, and the more modern tools that use a cyclic change in pressure to improve on jet performance (such as those from Mohan Vijay in Canada) do not drop the pressure within the delivery line and thus get around the problem of the earlier systems where it was the high range of pressures seen in a cycle that led to the valve problems. Although I should be careful there to differentiate the impulsive cannon type devices from the early ones where the flow to the nozzle was intermittently stopped. In the latter case it was the hydraulic shocks to the delivery line from the flow blockage that pulsed back down the line and (as rumor had it at the time) drove the pump pistons through the cylinder wall within the first few minutes of operating time.

As a result of these past developments there has been less emphasis on developing ultra-high pressure impulse devices over the last few years, particularly as the pressures of continuously operating equipment have risen, and the use of abrasive in the water has meant that most objectives can be effectively met with the new equipment.

*The University of Missouri-Rolla (UMR) has changed its name to Missouri University of Science and Technology (MST) – since the tests were carried out some decades ago, the older designation for the cannon has been used.

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Thursday, August 28, 2014

Iceland volcanic eruption may be under the ice

The BBC are reporting that small "cauldrons" have appeared on the glacier over the growing dyke of rock that is penetrating upwards in the Bárðarbunga region of Iceland. This suggests that the magma has reached the bottom of the ice, and causing it to melt, with the overlying cap then collapsing into the cavity. Jón Frímann notes that the water in Grímsvötn Lake has risen about 15 m, so that presumably is where it is flowing at the moment. That rise is equivalent to the melting of around 45 million cubic meters.


Figure 1. Location of the "cauldrons". Note also the progression north of the quakes over time, as the dyke extended. (Ice News)

The migration has also reached the Askja volcano, which might be a second path for the magma to reach the surface.

Erik Klemetti has written about the different scenarios that might happen should the magma reach that point, with there being some risk of an Eyjafjallajökull type eruption as one of five possible scenarios for the region.

As with the previous post on this activity, I will update below the fold for future developments.

UPDATE: 29th August.(There is a second under the fold(.
An eruption has begun in the northern end of the dyke. Because it is neither in the Askja caldera, nor under the ice, there is little ash cloud at the moment. According to the Ice News report:
Shortly after midnight a fissure eruption started between Dyngjujokull glacier and the Askja caldera in the Northern region of lava field Holuhraun. It is a fissure eruption on what appears to be a 300 metres long rift with a NA-SE direction. No volcanic ash has been detected with the radar system at the moment. The wind field conditions in the area are wind blowing toward NW at 12 m/s at 5 km altitude. Seismic eruption tremor is low indicating effusive eruption without significant explosive activity.
UPDATE #3: Here is a picture showing the outflow of magma, from Reuters via The Daily Mail.


Figure 1a, Magma flow out along the fissure.

2nd update on 29th August.
Watching the eruption on the on-site cameras, the Bárðarbunga 2 camera appears to be continuously shaken by earthquakes at 10:52 am Eastern, and the map of the quakes shows strong activity back at the Bárðarbunga caldera. It really depends on where the initial magma entry is into the dyke, which is most likely to be back at the south end of the dyke. This would increase the risk of at least some of the magma breaking through the ice cap and projecting an ice cloud.


Figure 2. Earthquake pattern on the morning of the 29th. (Icelandic Met Office via Wattsupwiththat).

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Monday, August 25, 2014

Poser and different forms of Digital Art

My apologies for the hiatus on Energy and Waterjetting for another week, but as the sidebar notes I do, on occasion, write about Digital Art. This is a hobby that is taking on a life of its own.

This Spring four pieces made it into an Art Exhibit (or is the right word Show?) on Digital Imaging and resulted in an invitation to submit a dozen images for a Fall Exhibit on Digital Art that will soon open at the Missouri University of Science and Technology’s Castleman Hall. That is the background to this piece, which discusses the work produced for the show and, to a limited extent, why those images were chosen.

The campus is not that familiar with Digital Art, despite being at the leading edge of many technical fields, somehow art has fallen a bit behind, and so one of the objectives was to display some of the variety of the art that can be produced using software, which in this case was largely Poser, with a little help from Photoshop and Alien Skin. I should hasten to clarify that I am much the junior exhibitor, Paula Sanders, a local resident, is way more experienced and talented, and has the major part of the show. Much of my expertise over the last year has come through taking and then trying to repeat the very useful Webinars on the technology from 3DArtlive, after starting out not that long ago with "Poser for Dummies".

To make life more interesting, of the needed twelve there were seven pieces that were available (with family and friends from whom they could be borrowed back) and that meant that, starting Sunday morning (Aug 17) and with a deadline of 4 pm Friday (August 22nd) five more pieces were needed, covering a bit of the waterfront on what Digital Art could do. Nine of the pieces were to be sized at 8.5 x 11 inches, and three would be 12.5 x 18.5 inches.

The first image that was printed on my “professional quality” printer could be borrowed back. Based on Alexsander Kokular’s “Drawing Room in the Artist’s Home,” it was an interesting challenge, since one had also to produce all the smaller paintings in the picture. So “Artist’s Drawing Room” became the first.


Figure 1. "The Artist's Drawing Room.

Along the way it became clear that the paintings on the wall had to be moved around, and since this is done on a 3-D modeling program they had to come off the wall first. Showing this helps with the concept of this being a partial reality, so an image taken during the move was included (it is now owned by the show’s curator, and named after her.)


Figure 2. Luce’s Dilemma.

Over the past three years I spent a fair bit of time researching what America’s inhabitants pre-1491 looked like. Paula has pointed out that most pictures were made up or colored by folk with no knowledge, but it is amusing to try, particularly since Blackthorn has produced physiognomies of the men and women of the different tribes. George Catlin has produced some paintings that are as close as one may get to some of the tribal customs, and his work provided a start.

Two of the images previously created were still available, and the first was one of a woman of the Commanche, and so in went Carrier Crow. The series was trying to put the tribal members into hair, paint, clothing and settings of the time, but getting the skin texture accurate , which is sometimes hard to get right for Native Americans, just seemed to work this time.


Figure 3. Carrier Crow

When it came to creating an image of a male member of the Commanche, the original render that was created wasn’t that striking, but in playing around with the variations that can be achieved to an original piece of digital art by using Alien Skin’s Snap Art, the way the image changed when selected as an oil painting made it a favorite, and so "Horse Talker" was included.


Figure 4. Horse Talker.

This was framed without glass, in a frame that thus suggested that the work was an oil, it should be interesting to see the comments.

Being able to change the format of an image is one of the great advantages of doing Digital Art, and there was another example of this available on loan-back, again using Snap Art, with the inspiration coming from a painting on the wall of a Pizza restaurant in Silicon Valley.


Figure 5. Dancing Chez Marcel.

This did not end up the way expected, mainly because working with large sets of buildings was a bit of a challenge until it was realized that, after getting the couple in the right poses, that if the male were then parented to the female then they could be moved around together (to get them against the blank wall) a lot more easily than by adjusting them as individuals in the scene.

A friend plays the flute, and after going through back issues of Spectrum seeking inspiration, there were two illustrations that led to the piece, that again could be borrowed back for the show.


Figure 6. If Music be the Food.

The next choice had been created for a talk on Digital Art for the local Rotary Club, and small 3 x 5 inch versions were given out at the talk. Folk seemed to like it, so printing this at 12.5 inch x 18.5 inch seemed only fitting for it to be the first large piece for the show. (And although it was an electric lamp, rather than a candle, I have been in this sort of situation once).


Figure 7. By the Guttering Light.

These were available pieces that could be used toward the target twelve needed for the exhibit. And that in turn, brought me to last Sunday morning and the need to create 5 pieces in six days. Two ideas came to mind to illustrate the capabilities of Digital Art and the first was to expand on the tribal theme and to have six different tribal heads, showing their different hair, physiognomy and paint. (Note that all of the people in the images started out either as the same original male, Michael 4 , or the female equivalent, Victoria 4, and were then morphed to give the final versions.)

Unfortunately, after creating this image, a mishap with the mat size sent to fit the larger frame meant that it could not be printed on paper that would match the hole size. So.o.o , as a hasty fix (at 2 pm on Friday) the background was turned into a leather texture and Photoshop engaged to transfer the images to the master page, and then they were merged and the paper edge torn (physically) to suggest home-made stock.

The heads were first shaped and aged, using the Blackthorn males on Mike, and then moved into Blacksmith3D for projection painting. Working with a tablet made this a lot easier, and the bear tattoo on the Algonquian warrior is from a record of the time.


Figure 8. Hair and Paint.

Another friend is interested in Ballet, and so, starting from an intent for a piece that might be in the style of Degas led, through learning how to make and move curtains with the Fun with Flat Things tutorials, and failure to find a good model of a theater, to making first a curtain, then a drawn curtain, and then the first of the “Ballet Maine” series. This became the second new creation of the week.


Figure 9. Ballet Maine Suite 1.

The member of the Corps de Ballet holding the curtain is supposed to look envious, but it is too dark to show her expression, though Gamma Correction helped to lighten her up a bit.

Which brought up some thought for including historical mischief as part of the show. Sitting in church a couple of weeks ago during the sermon, a chorister was seen to be nodding off. Put with the Pope’s recent comment on the high life of some in the church led to the start of the third piece.

But the only Cathedral interior of any use, from either a vendor or in the library of material that had been collected over a decade, was the Cathedral Construction Kit which DAZ sold many years ago and the textures no longer rendered well. To get around a somewhat garish render, the fix was to use Photoshop to convert the image into a half-tone piece, and overlay this over the initial render, so that by erasing the overlay over the Cardinal and the Hospitaller, only they would appear in color. This drew attention to them, in an otherwise very busy scene.


Figure 10. Plus ça Change

The fourth piece was inspired by a picture of a mermaid smoking in one of the Spectrum volumes (Leuyen Pham’s Shino). It raised the question as to why a mermaid might smoke? And when? The answer came that when the Vikings arrived around 928 C.E. mermaids could be smoking, and that in turn raised the question as to which was the “Filthy Savage.” (Native American opinion of early European arrivals were that they were indeed filthy, wearing clothes for days, not bathing enough, etc)


Figure 11. Filthy Savage.

The image has a number of faults, which could be hidden by post work and a change in format through Alien Skin, but chose not to because of the puff of smoke from the cigar. With more post work, for which there was no time it could have been a lot less amateurish.

The final work was to show the ability of Poser to age folk, and since in an earlier life my group had carved the Millennium Arch for Edwina Sandys I skipped over there on Thursday night, took the shot, and then used Lucy Zepp by jamminwolf to give the basics. The T-shirt had to be textured for the logo of the Center where the Millennium Arch was cut by high-pressure water, and where I spent my career, and ta-da at 4 pm on Friday it was printed, framed and turned in – phew!

The age of the senior version was reduced from the original version, since too many wrinkles and age spots looked out of place and character. With more time the pose of the central character, which looks forced, would have been changed, but there was no time.


Figure 12. The Transition Years.

From September 5th, the complete set should be on view in the lobby of Castleman Hall, in Rolla.

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